Agapé (Love's Addicts) by Elizabeth Gerber elixia@aol.com (soon to be elixia@mindspring.com) Rating: PG-13 Classification: VRA MSR or UST (depending on how you look at it) Keywords: Lust and longing Spoilers: Nothing very telling, but assumes general knowledge through Redux II. Summary: Mulder longs for Scully and for the closeness they shared in Redux II. He considers the risks involved if they should get involved. I consider this MSR but it's safe for USTers. Disclaimers: The X-Files and it's character belong to 1013, and Chris Carter, etc. I've decided that being born on 10/13 myself makes being an honorary member of the team my birthright. LOL Once again, this is based on a poem by Galway Kinnell. The whole poem is included at the end of the story. Archive: Gossamer, please do. Otherwise, just ask me first. Feedback: Comments and contructive criticism are welcomed and hoped for. Flames will be used to light yummy scented candles. Author's note: This is just sort of an angsty moment-in-time piece. It's not as good as I wanted it to be, but I don't think it's going to get any better, so I though I might as well post it already. I'm working on something longer that I hope to have out in the next couple weeks. ~~~~~~~~~ "I want to touch her. Once. Again. I will wait if I must. Outwait. Wait so long she will age, pull even, pass." --from Agapé by Galway Kinnell The only good thing about that terribly time was that I could touch her. Somehow, as the line blurred between life and death, the line between us blurred as well. And, now, I find we've solidified into separate bodies again, separate beings, and I still want to touch her. Just once, but once again. I will wait if I must. I'll outwait time, outwait our youth. I see already the wrinkles etching themselves on her face, small lines raying out from her mouth, pointing to the place I want to kiss. I wonder how many of those lines were put there by me. Her pursed mouth as I explained one of my theories. Her mouth smiling tightly all those times I woke up in the hospital with her hovering over me gently. It pains me to think that I've hurt her in any way, taken away that innocence she had when we met. But something in me is also satisfied to see myself written on her face. To know that I am a part of her as she is a part of me. Agape, I read once, is defined as love that is spiritual in nature, surpassing the sexual, and I tell myself that is what I feel for her. Her sister, Melissa, saw it before she died, saw it when we sat in that hospital waiting for Scully to choose between life and death. She saw my soul, saw that it was Scully's and hers was mine. Missy knew that without Scully I was a dead man. And yet I'm drawn back to that definition. Why must the spirit and the body be seen as separate entities? I've seen enough, god knows, over the years to refute that. And, I have to admit, I want to hold her, in the flesh, all night. Her skin like the petals of one perfect white iris closing over me, the flashing in her eyes as she looks at me. Clearly, it's more than her spirit I want. And yet her spirit enthralls me. I wonder at her sometimes. Was she scared when I stood on the precipice at the edge of her beliefs, beckoning her to go forward with me? Did she fear I saw an illusion, that if she passed the point I stood on she would be left alone in the darkness of confusion? And if I died? She has gone to a place, now, where her mother, her brothers, cannot be with her. If I died, she would have to walk alone, at least for as long as it look her to find her way back to them. Back to the reality they live in. And the chance of a normal life? All the love addicts, these spouses and lovers, lie back, sip their civilized drinks, listen to their Mars and Venus tapes and look at each other with soft eyes. They try to cure us sometimes, as though a touch, an evening in their world can bestow the kiss of normality on us. Everyone I knew from the university, her friends too I imagine, has found this place. I can see them all, married or whatever, kissing succinctly at 6:30 home from work. Sharing quiet evenings while we chase nightmares down poorly lit alleys. As though they've drank from some cup I've never even tasted. And what if we drank too? Met in one perfect moment beyond the spirit or body alone, melding the two in the flame of one candle? And what if it fell apart? In fear and longing we could fall into pieces. If she stood before me and told me to understand, to let my love go . . . And I couldn't do it? It's not really a question. What, then, put a gun to my head? And shoot her into shards as well. Or if she died, could I understand that? To see her dissolving in dry sunlight in a hospital bed? I don't want to lie in a double bed knowing that the other side is empty, that the one who moved beside me is still. The half of my heart that lives, filled with a corpse. But I know I could let myself sink into that love. I could smile and sit up half the night, laugh. Forget about the pain gone before, the nights when my nightmares went uncomforted. Forget that not all who are out there rejoice in love like this. Perhaps, for now, I shall hold it before me. For if our bodies never break upon each other we can never crumble. I will wait. Outwait. Her youth passes, she will soon pull even and perhaps even pass me. One day, we will touch again. ~~~~~~~~~ Here is the poem I based this story on. If you like it, please check out When One Has Lived a Long Time Alone by the author, or else his selected poems. Both contain a lot of excellent poems, many of which are very Mulder-y to me. Agapé(with an accent on the last e) by Gallway Kinnell I want to touch her. Once. Again. I will wait if I must. Outwait. Wait so long she will age, pull even, pass. How will she like it then if when I bend to kiss wrinkles ray out around her mouth? I want to hold her. In the flesh. All night. Flesh like the night puffs the flower-god puts on in spring, flimsy for needing to last but this one flashing circuit through her apparitions. Did she fear, when I stood with the precipice at my back and beckoned, that I was a specter she would plunge through.? At the *agape* love's addicts lie back, listen to a priestess discourse on love rightly understood. As soon as cured anyone can get up and go over and bestow the Kiss on anyone. Now the others have disappeared--maybe cured, probably joining lips behind doors. It is the Fourth Cup--the hour for the breaking of the transubstantiated body. What if we break, the priestess and I, the body together. And I fall in fear and longing? And she commands me to dissolve in the light of love rightly understood, or if I can't, to put a gun to my head? I don't want to know that on the other side of the pillow nobody stirs, I don't want ever again to sit up half the night and laugh and forget not all of us will rejoice like this always. Elizabeth elixia@aol.com http://www.geocities.com/Area51/Dimension/2774 Virginia Commonwealth University Library http://www.library.vcu.edu "I have held a torch in the darkness to glance upon a truth unknown." Mulder in Redux I . . . .The X-Files Agapé (Love's Addicts) by Elizabeth Gerber elixia@aol.com (soon to be elixia@mindspring.com) Rating: PG-13 Classification: VRA MSR or UST (depending on how you look at it) Keywords: Lust and longing Spoilers: Nothing very telling, but assumes general knowledge through Redux II. Summary: Mulder longs for Scully and for the closeness they shared in Redux II. He considers the risks involved if they should get involved. I consider this MSR but it's safe for USTers. Disclaimers: The X-Files and it's character belong to 1013, and Chris Carter, etc. I've decided that being born on 10/13 myself makes being an honorary member of the team my birthright. LOL Once again, this is based on a poem by Galway Kinnell. The whole poem is included at the end of the story. Archive: Gossamer, please do. Otherwise, just ask me first. Feedback: Comments and contructive criticism are welcomed and hoped for. Flames will be used to light yummy scented candles. Author's note: This is just sort of an angsty moment-in-time piece. It's not as good as I wanted it to be, but I don't think it's going to get any better, so I though I might as well post it already. I'm working on something longer that I hope to have out in the next couple weeks. ~~~~~~~~~ "I want to touch her. Once. Again. I will wait if I must. Outwait. Wait so long she will age, pull even, pass." --from Agapé by Galway Kinnell The only good thing about that terribly time was that I could touch her. Somehow, as the line blurred between life and death, the line between us blurred as well. And, now, I find we've solidified into separate bodies again, separate beings, and I still want to touch her. Just once, but once again. I will wait if I must. I'll outwait time, outwait our youth. I see already the wrinkles etching themselves on her face, small lines raying out from her mouth, pointing to the place I want to kiss. I wonder how many of those lines were put there by me. Her pursed mouth as I explained one of my theories. Her mouth smiling tightly all those times I woke up in the hospital with her hovering over me gently. It pains me to think that I've hurt her in any way, taken away that innocence she had when we met. But something in me is also satisfied to see myself written on her face. To know that I am a part of her as she is a part of me. Agape, I read once, is defined as love that is spiritual in nature, surpassing the sexual, and I tell myself that is what I feel for her. Her sister, Melissa, saw it before she died, saw it when we sat in that hospital waiting for Scully to choose between life and death. She saw my soul, saw that it was Scully's and hers was mine. Missy knew that without Scully I was a dead man. And yet I'm drawn back to that definition. Why must the spirit and the body be seen as separate entities? I've seen enough, god knows, over the years to refute that. And, I have to admit, I want to hold her, in the flesh, all night. Her skin like the petals of one perfect white iris closing over me, the flashing in her eyes as she looks at me. Clearly, it's more than her spirit I want. And yet her spirit enthralls me. I wonder at her sometimes. Was she scared when I stood on the precipice at the edge of her beliefs, beckoning her to go forward with me? Did she fear I saw an illusion, that if she passed the point I stood on she would be left alone in the darkness of confusion? And if I died? She has gone to a place, now, where her mother, her brothers, cannot be with her. If I died, she would have to walk alone, at least for as long as it look her to find her way back to them. Back to the reality they live in. And the chance of a normal life? All the love addicts, these spouses and lovers, lie back, sip their civilized drinks, listen to their Mars and Venus tapes and look at each other with soft eyes. They try to cure us sometimes, as though a touch, an evening in their world can bestow the kiss of normality on us. Everyone I knew from the university, her friends too I imagine, has found this place. I can see them all, married or whatever, kissing succinctly at 6:30 home from work. Sharing quiet evenings while we chase nightmares down poorly lit alleys. As though they've drank from some cup I've never even tasted. And what if we drank too? Met in one perfect moment beyond the spirit or body alone, melding the two in the flame of one candle? And what if it fell apart? In fear and longing we could fall into pieces. If she stood before me and told me to understand, to let my love go . . . And I couldn't do it? It's not really a question. What, then, put a gun to my head? And shoot her into shards as well. Or if she died, could I understand that? To see her dissolving in dry sunlight in a hospital bed? I don't want to lie in a double bed knowing that the other side is empty, that the one who moved beside me is still. The half of my heart that lives, filled with a corpse. But I know I could let myself sink into that love. I could smile and sit up half the night, laugh. Forget about the pain gone before, the nights when my nightmares went uncomforted. Forget that not all who are out there rejoice in love like this. Perhaps, for now, I shall hold it before me. For if our bodies never break upon each other we can never crumble. I will wait. Outwait. Her youth passes, she will soon pull even and perhaps even pass me. One day, we will touch again. ~~~~~~~~~ Here is the poem I based this story on. If you like it, please check out When One Has Lived a Long Time Alone by the author, or else his selected poems. Both contain a lot of excellent poems, many of which are very Mulder-y to me. Agapé(with an accent on the last e) by Gallway Kinnell I want to touch her. Once. Again. I will wait if I must. Outwait. Wait so long she will age, pull even, pass. How will she like it then if when I bend to kiss wrinkles ray out around her mouth? I want to hold her. In the flesh. All night. Flesh like the night puffs the flower-god puts on in spring, flimsy for needing to last but this one flashing circuit through her apparitions. Did she fear, when I stood with the precipice at my back and beckoned, that I was a specter she would plunge through.? At the *agape* love's addicts lie back, listen to a priestess discourse on love rightly understood. As soon as cured anyone can get up and go over and bestow the Kiss on anyone. Now the others have disappeared--maybe cured, probably joining lips behind doors. It is the Fourth Cup--the hour for the breaking of the transubstantiated body. What if we break, the priestess and I, the body together. And I fall in fear and longing? And she commands me to dissolve in the light of love rightly understood, or if I can't, to put a gun to my head? I don't want to know that on the other side of the pillow nobody stirs, I don't want ever again to sit up half the night and laugh and forget not all of us will rejoice like this always. Elizabeth elixia@aol.com http://www.geocities.com/Area51/Dimension/2774 Virginia Commonwealth University Library http://www.library.vcu.edu "I have held a torch in the darkness to glance upon a truth unknown." Mulder in Redux I . . . .The X-Files